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Category Archives: Work

I’d Like To Add You To My Professional Network

 I constantly receive unsolicited invitations by people I have never met asking me to join their Linked In network.  Usually these are from people in the same field of work as me who are looking to expand their network, or they work in sales for some company that I may or may not do business with.

 Linked In is a professional network, or rather a networking tool used by professionals and businesses.  It is not Facebook. My Linked In network consists of people whom I have personally worked with over the years and feel fairly well acquainted with their skills and personalities.  I would vouch for any person in my network if asked, because I can speak knowledgeably about them and their abilities.  I do not include people in my network who I may know well but do not respect their work ethic, or who may be quite good at what they do, but are difficult to work with.

 So it baffles me when I receive these invitations from people I don’t know, and who don’t know me.  I’m not saying that these are unqualified people, but I don’t know that.  I have a co-worker who gets many of the same invitations as I do, and he often accepts them.  I asked him why, and he says it’s because it helps expand his network.  My response is “Yes, but what if they’re a dick?”

 Currently I have a full time job that keeps me plenty busy, so I am not looking to pick up freelance work, or for new employment.  I understand where having an expanding network could be helpful in this situation.  But then, if I’m getting recommended by someone in the network, I want to know that I can trust them, and that they can trust who they’re making the recommendation to.  It’s great to have a professional network, but if you let every person into your network, how do control the quality of that network?  If you dilute your network with people who are mediocre in their field, does that not reflect poorly on you?

 Here is my short response for anyone who is looking to add me to their “professional network.”

 If I do not know you, do not ask me to be a part of your network. I choose to have people in my network who I know and respect through personal experience, and who I would not hesitate to recommend as a resource.  To become a part of my network I must have worked with you on at least two occasions, or one major event, and then I must come away from that experience with a sense of your professionalism and capabilities.  If I don’t know you, don’t waste your time.

 
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Posted by on August 23, 2012 in Comments, Computer, Work

 

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The iPad Is Changing How I Work

I picked up my first iPad just over a week ago with the release of the New iPad. That was a Friday, and Monday I was flying to Istanbul. I spent a little time using the new toy over the weekend before traveling, but there was plenty to do with family and preparing for my trip, so not a lot of time to play.

Now that I’ve been on site for a week, the iPad has changed the way I work when managing these events. I always travel with a binder to hold timelines, drawings, gear lists, etc. I had converted all of these documents to PDF files before I left and loaded them into iBooks on the iPad. It took me a little while to break the habit of carrying around the binder, but after three days I haven’t even bothered to bring it down from my hotel room. Finding the information I need using the iPad is so much easier and more efficient than using a notebook, especially when standing in a hallway with your hands full. It’s truly liberating.

I’ve downloaded an app that lets me trigger audio files for instant playback of announcements and awards music. I have several applications for that on my computer, but being able to touch the button instead of navigating around with the mouse is so much simpler. It also frees up my computer for the video rolls I need to make.

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I have used the notes application extensively to, you know, take notes. Additionally, I’ve got many of the production apps I’ve normally used on my iPhone on the iPad now, so I have a second method for using some of these tools.

Currently I’m researching additional apps that will make having the iPad more productive for me, but I need to go through the process of weighing cost vs performance and need.

Overall I have quickly realized how much of a game changer this tablet is. I’m already starting to approach tasks and projects in a new way.

Posted from my iPad, of course.

 
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Posted by on March 27, 2012 in Computer, Work

 

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Travels in Turkey

I’m in Istanbul this week and next working on a meeting. This is my first trip to this city, and to Turkey. I wasn’t sure what to expect, but had pre-conceived notions that it would very Muslim influenced. To a certain extent that is true, but I find the city to be much more European in it’s feel. I imagine as you go further east in the country onto the Asian continent that the Muslim influence is stronger. I am in the part of Istanbul that is on the European continent but Istanbul is also part of Asia, making it the only city in the world to span across two continents.

But there are reminders of the Muslim heritage here. The skyline is dotted with mosques, including the famous Blue Mosque, which I can see from my hotel window (but not so well that I would include my own picture of it here). Morning prayers are broadcast across the city at 5am, and then at other times throughout the day, but because I am in the hotel ballroom most of the day I rarely hear it. Most people on the street are dressed fairly contemporary, but there is also a fair percentage of women wearing a hijab.

Security in the hotels is a little tighter than what you would experience elsewhere. Often cars need to stop before they pull up to the entrance, and a guard will scan the underside of the vehicle with a mirror and some kind of sensor. When walking into the hotel everyone walks through a metal detector alongside an X-ray machine for bags. This is a little daunting at first, but at the hotel I’m staying at they’re pretty relaxed about it. When people walk through the detector while talking on their cell phones security doesn’t seem to care.

The hotel rooms are typical, but one difference is that there is a compass rose in the bottom of the desk drawer so people know which way north is when it’s time to pray.

An interesting bit of censorship on the television – all cigarettes, pipes, cigars, and other smokable things are blurred out. They were showing Quiz Show the other day, and the period piece had a lot of smoking, so a lot of blurred mouths and hands. Very amusing, since nearly everyone here smokes.

 
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Posted by on March 24, 2012 in Travel, Work

 

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Projects

Earlier I wrote about Ambition, and what got me thinking about it was how many different projects I have had going on over the past 3 months.  I thought that I would talk a little about those projects here.

Through November into December I had three big events to manage at work.  The first was an annual awards banquet which I have worked on for the past 4 events, and which always lands around the second Monday of November.  This event has grown over time from a simple awards show with no projection to one that now involves multiple video clips in a highly scripted show.  The first year of my involvement we did some relatively simple video on a pair of screens.  After having done that event I had a better understanding of what the event was about, though it was also evolving as they were willing to put more budget towards it and ramp up the ceremonial feel.

Over the past three years the video element has become more integrated into the event, and we have designed shows with a 10′ x 30′ screen, and once designed staging and content around three 7′ x 21′ screens.  This past year I designed a theme around a more contemporary 9′ x 16′ screen.  In addition to being the set designer, I am also the Technical Director and Stage Manager for this event.  Below is a time lapse video I made of the two day load in leading up to the show.


While working on this event I was also tasked with designing and TD’ing two more large events.  The first is our annual All Employee Meeting which our CEO delivers.  The design aspect of this event is relatively simple, as we do the same set up each year.  What makes this event difficult is the coordination of the nearly 50 locations around the world that view the broadcast in real time via a fiber network or through a satellite link.  This past year we added three new international locations, including Rio de Janeiro and Basel, Switzerland.

Video Control during Employee Meeting broadcast

This event took place the Tuesday after Thanksgiving.  That following Friday I headed down to Chicago to begin set up for another large event for which I was designer and Lead Technical Director.  This event involved five main meeting rooms, each with different requirements and limitations.  I worked closely with a local equipment provider to coordinate the necessary gear, scenic construction, and labor and union coordination.

The main and largest meeting space.

We had two full days for set up in four of the rooms, with the remaining room being set in one day as the meetings began in the other rooms.  During the meetings I Stage Managed the main room throughout the week.  This meeting, unlike the afore mentioned awards banquet, was not highly scripted, which means that we were essentially making it up as we went.  It was a very fly-by-the-seat-of-your-pants situation, but I had an excellent crew who were adept and proficient at rolling with the punches.  I did my best to prepare cue sheets by the beginning of each day based on what I could cull out of the various stake holders, but invariably there would be changes and last minute information tossed at us.

Presenter: “…and when I am done, the opera singers will go on.”
Me: “Opera singers?”
Presenter: “Yes.”
Me: “How Many?”
Presenter: “Two.”
Me: “OK.  Where are they?  We would like to hear them before we start.”
Presenter: “I told them to be here at 11:50.”
Me: “Your presentation begins at 10:00.”

This was an actual conversation.  It turned out fine, but it’s still a pain when we’re trying to maintain high standards and are forced to incorporate unknown and untried elements into a show at the last minute.  The closing session of this event involved multiple videos for multiple presenters, a Panda costume, and closed with a Tina Turner look alike – another curve ball, but we did get a sound check before we started.

So the first event was November 14, and the last event wrapped up on December 9.  In between we had Thanksgiving and I also took the family to Florida for a five day vacation.  Needless to say, it was a busy time for me.  I had one small event after all of this before the holidays hit, so I pretty much skated through to the end of the year at the office.  But all of these work projects delayed me from starting some of my personal projects.

One of the biggest projects I undertake for myself each year is an annual Mix CD of my favorite new music, or music that is new to me.  This involves choosing songs, creating a seamless mix, and thus determining the order of the songs, then creating the artwork, duplicating & printing the CD’s, printing and cutting the jewel case inserts, and finally assembling each piece.

This year I decided to make two different compilation CD’s.  Part of the reason being that I wanted to mark the fact that I’ve been doing this for 20 years, but also because of how busy I had been I wanted to keep it simple by not having to spend too much time picking music.  Ha!

I finished the first CD relatively quickly, as it was just a compilation of the songs I used to generate the titles of the mixes over the years.  I kept the artwork simple, and I kept the songs in the order of the mixes.

The other CD, however, was a greatest hits compilation based on my previous mixes.  This took much more time to create as I had over 350 songs to sort through and narrow down.  I realized quickly that I would need to make this into two discs, which ended up being an issue for me when it came time to create the artwork, as I wanted to convey certain information in as clear a method as possible, and it took a while to figure out what that was.

At the same time I was digging into my music project, I also decided it was time to change the way I host and manage my website.  This didn’t take as much effort as the CD’s, but still took time and was a little more of a learning curve as I have my CD method pretty much down to a science. As you can see, this is an ongoing project, but I have pretty much gotten over the hump of getting the site set up.

Then there is one other, larger project I have been working on.  This one has been in the works for almost a year now, and is not yet complete.  But it is getting closer to wrapping up, and as I near the finish line on this one I need to invest more and more time on it working through some of the details and polish.  I am truly excited about this last project as it is, for me, a major accomplishment.  I have dabbled in this sort of stuff before, but this is definitely the most ambitious.  I hope it is the most rewarding as well.

 
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Posted by on February 5, 2012 in Music, Work

 

Barcelona 2011

I’m in Barcelona, Spain this week working on a relatively small meeting.  It’s a pretty simple job, but made more difficult due to slow communication from the hotel where we are holding the meeting.

As with all of the meetings I am responsible for, the first thing I do is go to the property website for where the meeting will be held.  Most every hotel and meeting space these days has a page for floor plans & capacity charts, and this one was no different.  What was different is that even with a web page titled FloorPlans & Capacity Chart, there were no floor plans.  This isn’t necessarily a show stopper as most of the drawings available on line from hotels are wildly inaccurate – omitting columns, door locations, chandelier locations, etc – and I usually request better drawings from someone at the hotel who can provide me with more accurate information.

At the very least, even a poor drawing will give me some idea of what I am dealing with, but in this case all I had to go with was the dimensions listed on the capacity chart, 62 ft x 56 ft x 13 ft.  That would be length, width and height.  No idea where doors might be or what other obstructions may be in my way.

Twice I called the hotel and asked for some room drawings.  The first time I called I was told that they don’t share the floor plans except with people who are contracted to hold a meeting there – which is pretty stupid because we can’t always tell if the space will work for us or not without a floor plan.  I would be hesitant to commit to anything without getting some idea of the room.  (Some of the meeting planners I work with are famous for sending me requests like “How many people can I fit in a room that’s 5,200 square feet?”  Well that depends, are we talking about a square, a rectangle or a hallway?)  I managed to convince them to agree to email me something, but after a few days went by with nothing from the hotel I tried calling again.

For two days I couldn’t get through, and then when I did I asked for their email so that I could send a request directly.  (At this point I didn’t have a hotel contact, as my company hand’t actually signed a contract with the hotel, so no one was assigned to our meeting.)  A few more days and a weekend went by and I called again and was told that they had my email, but where too busy with other clients to respond right away.

Then it turned out that files they were trying to send kept bouncing back to them so they had to save them in a different format.  Two weeks before the actual meeting I finally get an email with about 11 attachments.  We’re using most of the rooms for breakouts, but it is the large space I am mostly concerned with, so I go directly for that file and open it.  Turns out that the image that was labeled as the large room was instead a floor plan for another floor in the hotel with six of the smaller rooms.  Then I looked at another file that was sent, and it is the same image.  Turns out all of the files were of the same thing, even though they were all named differently.  Obviously they had some issues while trying to convert the original files.

Another weekend goes by, and then the Monday before I am scheduled to fly out I get a .doc file with an image of a CAD drawing pasted into it.

Obviously this is not your standard rectangular room.  Now I have to figure out where the hotel got it’s dimensions that it posted online as it’s obviously not a simple rectangular room.  To be fair, the hotel was conservative in it’s published dimensions, as it essentially listed the dimensions for the “square” section to the right of the drawing, but even those dimensions are off.  This drawing I did makes the meeting space a little clearer.  I took my own measurements of the dimensions once I arrived, so this is an accurate room drawing.

So now a week before flying out I have a real idea of what the room looks like and now I can begin laying out where staging, screens, audio, lighting, and seating will go and can let the meeting planner know how many people they can realistically expect to fit in the room.  What a lot of people don’t take into account, especially when dealing with just the square footage, is the ceiling height.  Sure, I might be able to fit 300 people in your room, but the ceiling height will only let me put in 7.5′ x 10′ screens, which means only the first 200 people will really be able to read the text on the screens – everyone in the back rows will be squinting and struggling to read the content.

So I sent my list of requirements and a floor plan of the set up I wanted to the hotel about 3 hours after getting their drawing.  Now this was an amended list of AV requirements as I had sent a list the previous week so that the hotel could give their AV supplier an idea of what we would be needing and to make sure they had it available as we have a total of 17 breakout rooms in addition to the main meeting, each requiring basic AV gear.  My amended list took into account the limitations of the actual room and scaled back some of the gear as final details where falling into place.

It was another two days before I heard back from the hotel, but only to find out that my email had been unread and I still had no idea what, if any, gear I would be getting.  Finally, a week before the actual meeting I received a photo of the room (the first after many requests for one) from a previous set up to show what they were proposing to provide.  I made a few adjustments to their proposal and told them to send me an updated list and price quote.

Finally, on the day I was flying out, I got a list confirming my gear request and an incomplete cost quote.  A few more emails later to confirm that I would have at least one technician who spoke english and I was comfortable that I could pull this off.

Here is our finished set up, and it’s ok for what it is.  Had we more time I would have done something different, but this is strictly a medical meeting, so it’s low on the glitz and flash that we provide for some sales meetings.

Ordinarily we contract with a different AV supplier while in Spain (Grup Jaume Muntaner who I’ve used before) but this was a short notice meeting and there would not have been time to get proper payment in place for an outside supplier, so the hotel’s provider was what we had to deal with.  This is often not the best option for us as they usually don’t have the resources to support some of the larger shows we do, and often don’t have the skilled staff we need.  Fortunately this group is pretty good, but because they are the hotel provider I had to go through the hotel for all communications instead of being able to go directly to the vendor.  Had I been able to communicate directly with the AV supplier I probably would have had all of my stuff in place weeks before.

But it hasn’t been all bad.  On my last trip to Barcelona my friend from Grup Jaume Muntaner told me about his favorite bar to go to, but he warned us to get there early.

This is the Cerveceria el Vaso de pro, roughly translated into Brewery of the Golden Glass.  On that last trip we got there too late to get in the door (around 9pm), so we found another place for dinner, then came back later.  We managed to squeeze in closer to midnight, ordered a beer and then watched them prepare some of the most amazing food that even after a large meal we had to order.  We ended up closing the bar that night and enjoying some fantastic tapas.

You can see here how small this place is.  The wall on the left is the outside wall shown in the previous photo and we were against the side wall.

We were determined to make this our first stop once we got settled in at the hotel, and it did not disappoint.  One of my favorite items on their menu (besides the beer) is their Brave Potatoes, which are spicy potatoes.

Other places in Spain serve these, but about half the time it’s french fries with the spicy sauce, other times it’s a form of spicy ketchup.  These are the best spicy potatoes I’ve had in Spain – they are wonderful.  But we didn’t just have potatoes, we also had some other traditional tapas before leaving.

The only challenge to this place is that it’s a neighborhood bar a little off of the tourist path, so it doesn’t cater much to English speaking customers.  They are very welcoming, though, even if we do have a hard time deciphering their menu.

 

 
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Posted by on January 19, 2012 in Travel, Work

 

Spring Travels

Since moving to the midwest I have been traveling to some very cool and interesting places for my job, and these past 5 months have been no different. So far this year I have been to Argentina, Barcelona, San Francisco, Albuquerque, and Sorrento. The trips to San Francisco and Albuquerque were a little unique for me as they were the first jobs I’ve done in the United States since 2008. It was nice having people work for me who spoke the same language. That’s not to say I haven’t been doing other work in the US, but I haven’t been traveling in the US for work, just doing local (Chicago area) events.

By far the most interesting of these trips were Barcelona in March, and Sorrento, Italy, which was in May. The Barcelona job was a large undertaking as we were doing full meetings in two different hotels, as well as supporting a full band at an off-site dinner event. This whole thing was made more complicated because we were originally supposed to have these meetings in Cairo, but with the winds of change blowing through Egypt we had to find new space – hence two properties.

This meeting was easily one of the larger undertakings for me since working at my present company. Along with having to design and oversee meetings at two different properties, the second, and larger of the two, required that the General Session room be broken up into three smaller breakout meetings. To do this the set had to accommodate the ballroom airwalls being able to move into place.

Here is a picture of the full set.

 
And this is a straight-on view of just the center section.

You may notice that the squares on the set changed color, that is because they were little video displays tied together that we could play animated content on to give the set a bit of a dynamic look during presentations, and we changed colors to give the set a slightly different feel for different presenters.

What is hard to see in these pictures is how the top of the set is not a straight line, but instead curves up down like a wave, similar to the white vertical pieces. The screens are also surrounded by pieces that are curvy. This was an attempt to reflect some of the style of Spanish architect Antonio Gaudi with the set.

The white vertical panels flanking the stage served a second purpose for us – in addition to adding some more curves to the set, these panels also could be removed to allow the ballroom airwalls to pass through the set so that the room could be divided into sections. The way that the meetings were timed, we had a total of 30 minutes to get everyone out of the room, split it into sections, and set the three separate rooms so that they could run independently with audio and video for their own meetings. We then had 30 minutes to reverse the process and combine the three rooms back into one meeting room.

 

Here is a view of the full room and then how it looked when separated into the three individual meeting spaces.

 


Designing this was no simple task, but getting it all on paper in a way that could be understood by people who I had not worked with before was even more of a challenge. Here is the full scope of the drawings needed to accomplish this one room.

These events are always a challenge, and I am most nervous the night before we begin set up as I am never truly sure that things will fit and line up properly until it’s all built and done. Fortunately this set went in just perfectly, and as you can see from the render on the last page of the plans above, came together pretty much as planned.

After this undertaking my next large event was the Sorrento job. This was a unique one for me as the hotel we went to had a full theater which we were setting up in. This simplified many things for me, not the least of which was not having to draw and determine the seating layout, rigging points, speaker and lighting positions, etc. But it left me a little uneasy, as to achieve this result…

I only had to do this much design work…

Three pages! I had to keep going back to this to be sure I had included everything I needed, but it really was this simple doing a build in an actual theater space. The set itself is much simpler as well, being all straight lines with no flourishes, but still I was concerned before our arrival.

The good news is that this set worked out just fine as well, and all were happy with the results.

Of these two locations, I had been to Barcelona twice before, so I did not take too many pictures of the area. But this was my first trip to Italy, and Sorrento was very picturesque, so be sure to check out some of the photos.

 
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Posted by on May 29, 2011 in Work